‘The Ghost Writer’ and that of Polanski’s Past
Sunday, February 28th, 2010
Last night I went to see ‘The Ghost Writer’ and all I can suggest is run, don’t walk to the movie theater, if the film is currently playing in your city. Or if it’s not, demand it at your local movie theater to experience amazing movie making, the way films should be done. Roman Polanski is at his very best here, and even at his mediocre he is way better than most contemporary filmmakers. If you are looking for a full review, I think I’ll leave the honors to the New York Times and the insightful Manohla Dargis, who is at her typically intelligent, verbose and critical self. And I will give away the ending - of her review - by saying that she LOVED the film!
Unfortunately, Polanski the man has what I can only describe as a speck of smut on his human resume. I just had to answer back at the girl outside the theater - who BTW tried to impose a forty-five minute survey
on my friend and I for a pathetic monster film titled ‘Predator’ I would never dream of seeing, let alone review - when she pointed out that in support of the 13-year old girl who was raped back in the 70s she would not see the film. “Then you must also definitely avoid listening to Michael Jackson’s music - God rest his soul - by that standard?” I left her speechless, which was not an easy thing. Needless to point out that I am in full support of great filmmakers, who may - in real life - not turn out to be the perfect image of a great citizen. Great art is meant to be independent of the personality of the artist.
In my slight experience with directors and stars - through my work - I have come to realize that a great filmmaking masterpiece does not a perfect human being require. Particularly when it comes to those films that hold our attention in their wickedness and fright factor. Take my favorite Hindi cinema director - who
shall at this stage remain nameless - who has been winning multiple awards for a very dark film of his. His next is even darker and delves deeper into the horror of human nature, but you won’t get the story from me, unfortunately. I am nothing if not loyal and though I have read the entire script and still think about it in my sleep, not a peep. Even if such director only seems to want to be my friend when I can do something for him… See, that’s the way of the movies. It’s all a great illusion, but far from the reality of the men behind that vision. And anyway, you can’t expect an angelic man to make films such as ‘Rosemary’s Baby’.
The acting in the film is superb from all points. From Kim Cattrall to Pierce Brosnan to Olivia Williams, to my beloved teenage idol Timothy Hutton (all grown up and fabulous!) and the dozen maxi cameos that pop in and out of the screen, this is one ensemble piece that simply screams super talents!
Now, some personal thoughts on ‘The Ghost Writer’ itself. I absolutely adore Ewan McGregor and he did not
disappoint in any way in this film. Actually, the mark of a great actor is the absence from his work of any sign of struggle with their portrayal of the character. I read that Polanski had a huge issue with McGregor’s accent at the beginning of filming, but in the finished product, I completely forgot he is Scottish and does not naturally speak in the perfect Queen’s English that he sports for his role at the Ghost. Also for the logical reasons of Polanski’s issues in the US, the film was not filmed on Martha’s Vineyard but in Germany and again the director here is the magician. I never thought about it once, during the whole screening. Even people who know the island extensively, were surprised at how accurate the character of the place was in the film. The film does have a hang-up for me, since I do not get what the current British PM is doing in the US with a local cell number and awaiting conveniently nearby for the Ghost to call him, but I have not found another critic out there with a similar problem so I’ll chuck it all up to oversensitive film viewing on my part…
At last, in this age of ‘3 Idiots’ and writers being shoved aside for the sake of nonsense, Polanski gives screenplay co-writing credit to Robert Harris, the author of the book ‘The Ghost’ which the film is based on. The website for the film opens with the words “Based on the Best-Selling novel by Robert Harris”. Kudos to Polanski for everything he has done. And this comes from a woman who would never have been allowed near him at age 13… My parents would have been a human shield. So, I say, the issue is just a bit more complex than most make it to be.
Images courtesy of Roman Polanski Films - except portrait of director by IGN.com






















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